It goes without saying that being noticed on dA as an artist isn't easy. Add in the fact that you're submitting literature to a predominantly visual arts site and you have an even lower chance of being noticed. Your friendly Literature Community Volunteers do their best to feature an array of poetry and prose, but even that is only a single day feature of ONE of your deviations. Getting a following or even just getting deviants to read your lit and give feedback is hard work. But you'll see a common denominator amongst those deviants that have made it.
It's community involvement. You shouldn't expect to receive if you're not willing to give. But how exactly can accomplish that? Is going to random Lit Groups and leaving critique on a dozen or so deviations a week enough? Probably not. Will participating in group challenges, prompts and contests get you noticed? Not by itself. What if you run a weekly or bi-weekly feature article of Literature on dA? Still, no.
There really isn't one sure way to get that much craved for attention. It's more a combination of things. So I took to polls, notes and chatting with the deviants of the Literature Community to put together a list of sorts.
- Give feedback. It doesn't need to be a full blown ten page critique, but leaving a comment instead of just faving a deviation goes a long way. Lots of deviants will return the favor by browsing through your gallery.
- Get involved with Groups. Pick a few groups that you personally enjoy watching; whether they be general submission groups, genre specific or just ones that have awesome prompts and contact them. Ask them if they have any open positions available. Or if you have a new idea for a feature or prompt series, run the idea by them.
- On the subject of groups, don't lit dump your work. In other words, don't submit your deviations to 50 groups and hope for the best. Pick a few groups that are active in the community and submit your work to just those. Be involved with others submitting to that group. You'll get feedback and maybe make a few friends along the way.
- Pimp yourself. That's right, I said it. Use the Thumbshare Forum, write something for every contest, join feedback groups, comment on Daily Deviations, ask for feedback in the Literature Forum using the current month's feedback thread (found as a sticky at the top of the forum) or self suggest your literature to the Lit CVs for Daily Deviations.
- Post a regular journal. Deviants want to know that you're real and not some robot that pumps out chapter after chapter. Post a journal once a week and tell them a little about yourself. AND remember to respond to comments left on your journal.
- Consistently submit new stories, poetry or chapters. There's nothing worse than finding a series of stories that you love and all of a sudden the writer drops off the face of the earth and doesn't post anything new for months. Sure, it's okay to take a hiatus, but write a journal letting your readers know that. On the same note, don't over saturate the system with four new chapters every day. That clutters up your watchers Message Centres.
- Involve yourself with other writers. That's not just leaving feedback/critique for them, but also watching them and commenting on their journals. Make friends!
- Cross post. There's a reason why dA includes easy share links on deviations. When you submit a new poem or chapter of your story, make sure to use the tumblr, twitter and FaceBook buttons to share your work.
- Use commissions. That's right. Not everything is free. Use artists' commissions or start a thread in the Projects Forum asking deviants to draw your characters or a scene from your novel. They get the benefit of practicing their craft (and the ) and you get the added exposure when they post the artwork for their watchers to see.
Reading as a WriterHave you ever set down a book for good because you found something in it you don’t like? If you want to write, I suggest that bad habit end now.
Why, you ask? Because everything you read—and I mean everything–has positive value for you as a writer. Stephen King, and any author worth his or her salt, is a huge advocate of writers reading massive amounts.
Again you ask, why? How can everything be useful? There are a number of reasons and I’ll cover as many as I can.
Reading bad literature teaches you about yourself and shows you what to avoid—or at least how not to do something—in your own work. If you run across something that you don’t like, stop and ask yourself why you don’t like it. Is it just a personal preference? Was it out of place or poorly executed? Does it contradict something from earlier? As soon as you figure out the “why” of something’s badness, you learn a little about yourself and you
dA Writers-Get NoticedIt's hard being a writer on dA. For every one writer, there are at least 15 artists, 10 of which are fan-artists. And why would people turn away from fanart, comics, and/or yaoi to read your poetry/prose? You have to give them a reason.
This tutorial will take you through a few steps which will hopefully bring your writing more attention, If you'd care to read:
I cannot stress how crucial this step is. Once you have your 1st draft done, revise for typos and grammatical errors. On the second time, read it out loud to revise for flow. Then check again for grammar and spelling. Read it again, revise word by word.
Can you create more impact with the same amount/less words? If you can, do it.
Now, here are a few things you should keep in mind as you revise.
In most lit thumbs, the first 110 or s
Writing Useful Critiques
This article is written for LitResources. Our goal is to be a collection and creation station for all resources pertaining to literature on deviantART. This article will feature the wonderful world of critique! DeviantART staff recently made it possible for unsubscribed members to leave critiques using the premium feature, so we thought it was an opportune moment to educate the community about the many facets of critique.
If, after reading the article, you have more information or resources to add, please leave your thoughts in a comment! And don't forget to this article to help spread the word.
Critique: What It Is, What It Is Not
Though the distinction might seem obvious to some, people often confuse writing a critique with writing a review.
To make it plain, a critique offers thoughts and advice for improving a piece of literature or art. Cri
Crit Ticks for the Critics"He has the right to criticize who has the heart to help." - Abraham Lincoln
You've read guides, you've heard the propaganda, and now there's no going back. You've decided: "I want to write critiques too!"
Looking out over the gray expanse of dA, you spot a poem. Or a photograph. Or a juicy piece of digital art, and you know exactly what you want to say. Or maybe you don't, but you slog through, making the effort. And voila! A click and you navigate away, grinning, imagining the artist's delight when the deviant opens his or her message center upon the next log-in.
You left a critique, whether as a "critique" or in a comment box, but, as is inevitable in all short stories, something goes very very wrong. A mere day after you clicked submit, you receive a hurt and snarly reply informing you that you are a horrible-horrible person, and a shallow one at that. A literary terrorist, even, or a photographic floozy -- a wannabe painter who should
PE Feedback: How to Give a CritiqueHOW TO GIVE A CRITIQUE
It's a great thing that you want to critique other deviant's works and help them improve their skills through your constructive feedback. By critiquing fellow deviant's works, you are developing your critical thought and vision and thus, developing yourself as an artist. However, critiquing is not all about pointing out what others did wrong. As ChewedKandi has pointed out in 'How To: Critiquing Artwork' "a critique is giving your opinion in a constructive manner about a subject - be it a piece a music, a piece of art, the meal you've just ate and so on."
That's the main point of this article: to share a few pointers on how to give a quality critique while providing links to a compilation of useful guides that focus on this very same topic.
Introduction: Let's start!
First things first! You've come across a piece of art that caught your attention and
A Guide to Individually Hosted Contests Hosting a contest as an individual as opposed to in a group can be a little intimidating since you don't automatically have the support of your admin team behind you but with a few simple things kept in mind one can just as easily make an individually hosted contest a success.
Before even announcing your contest you will have to make sure that you can provide a presentable selection of prizes and unless you are exceptionally wealthy and got some extra change you won't be able to offer several premium memberships or thousands of points, especially if you are planning to hold regular contests. While there is always the option to ask for prize donations via a pre-contest journal or simply collecting points all year round with your donation widget, you cannot rely on these being successful.
But contest prizes don't have to cost you a lot or to be honest they don't even have to cost
Why Comment in the First Place?Many people ask themselves (sometimes on a daily basis) why they should comment on a piece of work. Whether it's just a deviation that pops up into our message centres or a deviation on deviantART's home page, what makes us decide whether we should, or even want to, comment on that piece?
Why do we bother? Or more importantly, why dont we bother?
This guide explores the thoughts that we may have, the excuses we make, and, hopefully, a few thoughts to encourage you to comment, not just with a few words and that's it, but to really give a fellow artist a constructive comment that they deserve... that we deserve.
What is mentioned below is by no means accurate or complete and it does not apply to everyone. It was written by ProjectComment as a Group, by deviants, for deviants and we sincerely hope you enjoy reading this.
A massive thank you to annajordanart, catadescour, katdesignstudio, Jenniej92 and xblackxbloodxcellx who all contributed in the maki
What is Worth Critiquing?This article outlines a few questions to ask yourself before you request critique on anything.
1. Have I self-critiqued my piece?
Have you given the piece a thorough examination, looking for ways you can improve, parts that could be removed/added to, techniques that might work better, etc?
If you haven't reviewed the piece for yourself, I highly suggest doing so before you request critique. Self-review is a skill you need to develop as an artist in order to improve. Critique from others is wonderful, but learning to apply your own critique to your pieces will help you produce better art on your first attempt.
2. Is the piece of good quality?
Do not request critiques on doodles, first writing drafts, snapshot photographs, etc. Critique should be reserved for a piece you want to learn from and improve, which means the piece should have required thought and time to complete.
There are always exceptions to these sorts of rules. A drawing that is half-way completed, for
Groups You Should Be Watching
and though they're currently on hiatus.